HAMLET
Written by William Shakespeare
Adapted and directed by Chris Burton
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Performances
October 8, 9, 10, 15, 16, and 17 at 7:30pm
Garfield Park MacAllister Amphitheater
2425 Conservatory Dr.
Indianapolis, IN 46203
The show runs approximately 2 hours and 30 minutes. There will be one 15-minute intermission.
a note from the Director
William Shakespeare’s Hamlet weaves a complicated tale about loss, legacy, and mortality. Hamlet himself is typically viewed as the pinnacle of indecision and a mastermind who has a guiding hand in every aspect of the play’s plot. Many productions explore whether or not Hamlet is faking his “antic disposition” the entire play or if he is actually driven mad from grief. My adaptation explores the latter, but expands that idea to include Laertes, Ophelius, and everybody who is affected by loss.
The underlying theme of this production, styled as Hamlet: A Gothic Fantasia, is Grief. I chose to dress the play in the trappings of Gothic ideals in several of its forms. The set design draws inspiration from Gothic architecture with “flying buttresses” meant to resemble a ribcage. I hope to give the impression of lavish Gothic manors like those of the Addams Family or the Munsters. In cutting the script, I focused on elements of Gothic literature - romanticizing and celebrating the macabre, depictions of the supernatural, the presence of imposing and threatening men (Claudius), and a romance that is often overlooked between Hamlet and Ophelius. Costumes and music were inspired by contemporary Goth subcultures; the royals are dressed in Romantic/Victorian Goth styles, the court are inspired by Whimsigoth, the castle staff are represented by Corporate Goth, the tragedians draw inspiration from fantastical stylings of Cabaret Goth, and the students epitomize Dark Academia.
This adaptation forgoes the war with Norway present in the full text in favor of deepening the relationships between the families and friends in this world. Claudius is not a cartoon villain as depicted by the players in their rendition of The Mousetrap, but a complex man with aspirations at odds with the rest of the characters. Polonius is not a rambling old fool, but a caring father grieving the loss of his friend. Ophelius is not a victim of Hamlet’s machinations, but a loving partner trying their best to support Hamlet in any way possible. It was important to me to strip away preconceived notions assigned to some of Shakespeare’s most well-known characters and treat them as complex people experiencing difficult emotions with each other. I hope the audience can relate to the deep grief and loss experienced by the characters on stage and find some comfort in.
-Chris Burton
CAST
in order of appearance
* indicates actor’s first appearance with the company
STAFF
SPECIAL THANKS TO…
Indy Parks
Garfield Park
Garfield Park Arts Center
st john’s united church of christ
depauw university department of communication and theatre
spencer dorian crane and family
natalie wiersma
dalton mckinney
OUR 2027 SEASON
The Seagull
At the Garfield Park Arts Center
Directed by William Baker
Spring 2027
The Man Who Came to Dinner
St John’s United Church of Christ
Directed by Spencer Dorian Crane
Summer 2027
Medea
At the Garfield Park MacAllister Amphitheater
Directed by Dennis Sloan
Autumn 2027
Learn more about our performances and auditions on our season information page!
